CABARET of SPIRITS Atelier ... BLOG VERSION

CABARET of SPIRITS Atelier ... BLOG VERSION
...Photographs should be protected from extended exposure to intense light sources. Limit exhibition times, control light exposure, and monitor the condition of the photographs carefully. Prolonged or permanent display of photographs is not recommended. Use unbuffered ragboard mats, and frame photographs with archivally sound materials. Use ultraviolet-filtering plexiglass to help protect the photographs during light exposure. Reproduce vulnerable or unique images and display the duplicate image; in this way, the original photograph can be properly stored and preserved.

Disaster preparedness begins by evaluating the storage location and the potential for damage in the event of a fire, flood, or other emergency. It is important to create a disaster preparedness plan that addresses the specific needs of the collection before a disaster occurs.

The location and manner in which photographs are housed can be the first line of defense. Identify photographic materials that are at higher risk of damage or loss. Remove all potentially damaging materials such as paper clips and poor-quality enclosures. Store negatives and prints in separate locations to increase the possibility of an image surviving a catastrophe. If a disaster occurs, protect the collection from damage by covering it with plastic sheeting and/or removing it from the affected area. If using plastic, make sure not to trap in moisture as this could lead to mold growth. Evaluate the situation and document the damage that has occurred. Contact a conservator as soon as possible for assistance and advice on the recovery and repair of damaged materials.

PS .If your photograph requires special attention or you are unsure about how to protect it, you should contact a conservator.To search for a conservator near you.






Cabaret of Spirits ATELIER

Cabaret of Spirits ATELIER

Treatment Options for Photographic Materials may include

mold removal
surface cleaning
stain reduction (only if possible and safe to do so)
tape and adhesive removal
separation from poor quality mounts
consolidation of cracked or flaking emulsion
mending tears or breaks
conservation of cased photographs and case repair
daguerreotypes
ambrotypes
ferrotypes
electro-cleansing of tarnished daguerreotypes
rehousing options
four-flap enclosures
clamshell boxes
polyester sleeves
encapsulation
conservation framing

PRESERVING & PROTECTING PHOTOGRAPHS

PRESERVING & PROTECTING PHOTOGRAPHS
Hundreds of millions of photographs have been lost over the years to natural disasters, wars, and the age-old urge to clean house. So there is something special about every old photograph that's survived. Someone decided to make it... someone else, to buy it... and a lot of someones decided to keep it over the years. Whether you're the caretaker of a treasured family album or a collector who has searched out the classics of photography, it's important to preserve and protect the images you value. Fortunately, there is new information about what to do and what to avoid. And there are specialized products available to help.

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Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

last year

Red light district

"When he died, 89 glass-plate negatives were found in his desk showing prostitutes taken in around 1912 in ‘Storyville‘ the red ...

my website

about me "work and lifestyle"

My photo
~ *~ It all starts as a photographer... the path leads me to specialized in the conservation & application of fine art and historic photographs and restoration of paper ... working in my Boudoir, CABARETøf SPIRITS ~ *~

Archive you missed the past months


Showing posts with label meeting. Show all posts
Showing posts with label meeting. Show all posts

Sunday, 29 April 2018

my meeting date:




Discover the art of the Victorian photographer with this hands-on,
six week evening class. As part of this course you will produce cyanotypes, calotypes and salt print, in a process which would be familiar to photographers who witnessed the invention of photography.
Beginning with contact prints and ending with the production of portraits. 
No previous experience needed.
All materials provided

... ps from the Victorian Era to the modern day


FRIDAY EVENINGS 6 pm - 9 pm
May11th 18th 25th 1st

course leader : Cabaret of spirits

£140

darkroom on" Queen Charlotte Street"  - Bristol -






Friday, 28 July 2017

between a ball of wool and sipping a cup of tea

Midsummer tree,folk festivals around which a MAYPOLE DANCE often takes place

In Britain the maypole was found primarily in England and in areas of Scotland and Wales which were under English influence. However, the earliest recorded evidence comes from a Welsh poem written by Gryffydd ap Adda ap Dafydd in the mid-14th century, in which he described how people used a tall birch pole at Llanidloes, central Wales. Literary evidence for maypole use across much of Britain increases in later decades, and "by the period 1350-1400 the custom was well established across southern Britain, in town and country and in both Welsh-speaking and English-speaking areas."




how can you not stay enchanted with these old photographs
... looking in my library a knitting book to make a sweater for this winter 
I found this book of Welsh woman  in traditional  rural dress.
1885-1905

the unique Welsh hat

The cap

Also known as the mob cap, the cap was a linen or cotton head cover with goffered  folded fabrics around the face. Some had long lappets which hung down the front below shoulder level.

The Welsh hat

The distinctive feature of Welsh hats is the broad, stiff, flat brim and the tall crown. There were two main shapes of crown: those with drum shaped crowns were worn in north-west Wales and those with slightly tapering crowns were found in the rest of Wales. They were probably originally made of felt (known as beaver, but not necessarily made of beaver fur), but most surviving examples are of silk plush (also sometimes known as beaver) on a stiffened buckram base. A third type of hat, known as the cockle hat, was worn in the Swansea area.







Sorg ond slaep 











Wednesday, 1 June 2016

Idylls of the King, en plein air





One of the early pioneers of photographic portraiture, Julia Margaret Cameron began her career at the age of 48.
 “From the first moment, I handled my lens with a tender ardor," she wrote, "and it has become to me as a living thing, with voice and memory and creative vigor." Cameron trained herself to master the laborious steps of producing negatives with wet collodion on glass plates, favoring slight blurs in her images and looser compositions than the polished portraits of her colleagues. She moved in the high intellectual circles of Victorian England, capturing leading academics and artists such as Lord Tennyson and Charles Darwin. Many critics praised her originality, though others derided her for slovenly technique. Drawing inspiration from historical and contemporary writers and painters,
 Cameron also staged scenes from history or literature, such as her photographic illustrations of Tennyson’s Idylls of the King, and regularly enlisted family members, friends, and domestic servants as models for Madonnas, 
Christ figures, and angels.





Julia Margaret Cameron
DIMBOLA MUSEUM & GALLERIES
Terrace Lane (off Gate Lane)
Freshwater Bay
Isle of Wight PO40 9QE


Summer Days, 1866
Albumen print from a wet collodion negative
13 7/8 × 11 1/8 in
35.2 × 28.3 cm

The Sunflower, 1866-1870

Albumen print

13 7/8 × 9 9/16 in
35.2 × 24.3 cm
Consuming Nonsense: Freshwater Circle Society Study Day

SATURDAY 4TH JUNE, 10.30AM - 3.00PM







Saturday, 13 February 2016

at 5 o'clock

Continue my logbook.
between work and bird watching, 
among the Irish countryside and Agreste Romano.

Sometimes the glass was first coated with a thin layer of
diluite albumen prior to coating, which helped the collodion
adhere to the glass.

The plate was then dipped into a bath of silver nitrate for
several minutes.
Wet collodion was also used to make positive trasparencies,
commonnly known as lantern slides, as they were typically
viewed by transmitted light using a magic lantern.



But Matte Collodion printing out prints POPs
are based on the light sensitivity of silver chloride, which
is suspended in a thin collodion binder on a paper support with
a very thin baryta layer.
A solution contaning silver nitrate was added to the collodion
chloride mixture, rendering the substance light sensitive.
Glycerin or castor oil :(  was somentimes added as plasticizer
to make the binder more flexible and permeable.
... the coated papers were contact printed under ultra-violet SUN
light.




Matte Collodion papers were coated In the same way as collodion
glass plate negative: by pouring the emulsion into the centre
of the paper and rocking it is each direction to get an even coating.
Paper were produced on a larger scale beginning in 1889 with the
introduction o coating machine.




Friday, 29 January 2016

Meeting... in wet collodion and hot tea.


Inside the barn as field mice
The landscapes of the  Spa of Saturnia
Inspired me to the winter meeting.



Collodion, which is cotton dissolved in nitric acid,
Was difficult and dangerous to make and was therefore typically 
Purchased by the photographer.
The colodion was dissolved in alcohol and ether creating a viscous fluid
With a consistency similar to maple syrupe and then "salted"with iodide
...
TO BE CONTINUED

Friday, 27 November 2015

new purchases



New acquisitions in my atelier vintage Victorian BACKDROPS... 











see you soon ... dear readers, This time I have very little time.,
THE FEBRUARY meeting IS FULL