"most viewed this week on the years"
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photo Felice Beato Until the mid-20th century, the majority of photography was monochrome (black and white), as was first exemplified ...
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An ambrotype is a weak negative image on glass rendered positive by the addition of a dark background. Frederick Scott Archer, an Engl...
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Silver is a common component of most historical photographic processes. Silver mirroring is a natural deterioration, inherent within silver-...
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!click the title! The mid-nineteenth century saw the simultaneous birth of couture, photography, and modern art. For women of the Italia...
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Daguerreotypes, ambrotypes and early tintypes were usually sold in small folding cases. The cases were designed to keep the fragile surfaces...
Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft
last year
Red light district
"When he died, 89 glass-plate negatives were found in his desk showing prostitutes taken in around 1912 in ‘Storyville‘ the red ...
about me "work and lifestyle"
- CABARET øf SPIRITS
- ~ *~ It all starts as a photographer... the path leads me to specialized in the conservation & application of fine art and historic photographs and restoration of paper ... working in my Boudoir, CABARETøf SPIRITS ~ *~
Archive you missed the past months
Showing posts with label meeting. Show all posts
Showing posts with label meeting. Show all posts
Tuesday, 15 May 2018
Sunday, 29 April 2018
my meeting date:
Discover the art of the Victorian photographer with this hands-on,
six week evening class. As part of this course you will produce cyanotypes, calotypes and salt print, in a process which would be familiar to photographers who witnessed the invention of photography.
Beginning with contact prints and ending with the production of portraits.
No previous experience needed.
All materials provided
... ps from the Victorian Era to the modern day
FRIDAY EVENINGS 6 pm - 9 pm
May11th 18th 25th 1st
course leader : Cabaret of spirits
£140
darkroom on" Queen Charlotte Street" - Bristol -
Etichette:
book,
cianotype,
darkroom,
laboratorio,
meeting,
Victorian Era
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Irlanda
Friday, 28 July 2017
between a ball of wool and sipping a cup of tea
how can you not stay enchanted with these old photographs
... looking in my library a knitting book to make a sweater for this winter
I found this book of Welsh woman in traditional rural dress.
1885-1905
the unique Welsh hat
The cap
Also known as the mob cap, the cap was a linen or cotton head cover with goffered folded fabrics around the face. Some had long lappets which hung down the front below shoulder level.
The Welsh hat
The distinctive feature of Welsh hats is the broad, stiff, flat brim and the tall crown. There were two main shapes of crown: those with drum shaped crowns were worn in north-west Wales and those with slightly tapering crowns were found in the rest of Wales. They were probably originally made of felt (known as beaver, but not necessarily made of beaver fur), but most surviving examples are of silk plush (also sometimes known as beaver) on a stiffened buckram base. A third type of hat, known as the cockle hat, was worn in the Swansea area.
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| Sorg ond slaep |
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Galles, Regno Unito
Wednesday, 1 June 2016
Idylls of the King, en plein air
One of the early pioneers of photographic portraiture, Julia Margaret Cameron began her career at the age of 48.
“From the first moment, I handled my lens with a tender ardor," she wrote, "and it has become to me as a living thing, with voice and memory and creative vigor." Cameron trained herself to master the laborious steps of producing negatives with wet collodion on glass plates, favoring slight blurs in her images and looser compositions than the polished portraits of her colleagues. She moved in the high intellectual circles of Victorian England, capturing leading academics and artists such as Lord Tennyson and Charles Darwin. Many critics praised her originality, though others derided her for slovenly technique. Drawing inspiration from historical and contemporary writers and painters,
Cameron also staged scenes from history or literature, such as her photographic illustrations of Tennyson’s Idylls of the King, and regularly enlisted family members, friends, and domestic servants as models for Madonnas,
Christ figures, and angels.
Julia Margaret Cameron
DIMBOLA MUSEUM & GALLERIES
Terrace Lane (off Gate Lane)
Freshwater Bay
Isle of Wight PO40 9QE
Julia Margaret Cameron
DIMBOLA MUSEUM & GALLERIES
Terrace Lane (off Gate Lane)
Freshwater Bay
Isle of Wight PO40 9QE
Etichette:
ALBUMEN print,
ARCHIVE,
dimbola lodge,
historical photography,
JMCameron,
Logbook,
marine,
meeting,
MUSEUM,
portrait,
wet collodion
Saturday, 13 February 2016
at 5 o'clock
Continue my logbook.
between work and bird watching,
among the Irish countryside and Agreste Romano.
Sometimes the glass was first coated with a thin layer of
diluite albumen prior to coating, which helped the collodion
adhere to the glass.
diluite albumen prior to coating, which helped the collodion
adhere to the glass.
The plate was then dipped into a bath of silver nitrate for
several minutes.
Wet collodion was also used to make positive trasparencies,
commonnly known as lantern slides, as they were typically
viewed by transmitted light using a magic lantern.
viewed by transmitted light using a magic lantern.
But Matte Collodion printing out prints POPs
are based on the light sensitivity of silver chloride, which
is suspended in a thin collodion binder on a paper support with
a very thin baryta layer.
A solution contaning silver nitrate was added to the collodion
chloride mixture, rendering the substance light sensitive.
Glycerin or castor oil :( was somentimes added as plasticizer
to make the binder more flexible and permeable.
... the coated papers were contact printed under ultra-violet SUN
light.
Matte Collodion papers were coated In the same way as collodion
glass plate negative: by pouring the emulsion into the centre
of the paper and rocking it is each direction to get an even coating.
Paper were produced on a larger scale beginning in 1889 with the
introduction o coating machine.
Etichette:
ARCHIVE,
eire,
historical photography,
I am now,
Logbook,
meeting,
wet collodion
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Dingle, Co. Kerry, Ireland
Friday, 29 January 2016
Meeting... in wet collodion and hot tea.
Inside the barn as field mice
The landscapes of the Spa of Saturnia
Inspired me to the winter meeting.
Collodion, which is cotton dissolved in nitric acid,
Was difficult and dangerous to make and was therefore typically
Purchased by the photographer.
The colodion was dissolved in alcohol and ether creating a viscous fluid
With a consistency similar to maple syrupe and then "salted"with iodide
...
TO BE CONTINUED
Etichette:
ARCHIVE,
laboratorio,
meeting,
saturnia spa,
tea time,
wet collodion
Friday, 27 November 2015
new purchases
Etichette:
blackdrop,
break,
Chiostro,
Hallow's eve,
historical photography,
I am now,
lisboa,
ME,
meeting,
my SAMHAIN,
studio,
tea time,
train,
Victorian Era
undefined
Sintra, Portugal
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