Continue my logbook.
between work and bird watching,
among the Irish countryside and Agreste Romano.
Sometimes the glass was first coated with a thin layer of
diluite albumen prior to coating, which helped the collodion
adhere to the glass.
diluite albumen prior to coating, which helped the collodion
adhere to the glass.
The plate was then dipped into a bath of silver nitrate for
several minutes.
Wet collodion was also used to make positive trasparencies,
commonnly known as lantern slides, as they were typically
viewed by transmitted light using a magic lantern.
viewed by transmitted light using a magic lantern.
But Matte Collodion printing out prints POPs
are based on the light sensitivity of silver chloride, which
is suspended in a thin collodion binder on a paper support with
a very thin baryta layer.
A solution contaning silver nitrate was added to the collodion
chloride mixture, rendering the substance light sensitive.
Glycerin or castor oil :( was somentimes added as plasticizer
to make the binder more flexible and permeable.
... the coated papers were contact printed under ultra-violet SUN
light.
Matte Collodion papers were coated In the same way as collodion
glass plate negative: by pouring the emulsion into the centre
of the paper and rocking it is each direction to get an even coating.
Paper were produced on a larger scale beginning in 1889 with the
introduction o coating machine.