"most viewed this week on the years"
-
photo Felice Beato Until the mid-20th century, the majority of photography was monochrome (black and white), as was first exemplified ...
-
An ambrotype is a weak negative image on glass rendered positive by the addition of a dark background. Frederick Scott Archer, an Engl...
-
Silver is a common component of most historical photographic processes. Silver mirroring is a natural deterioration, inherent within silver-...
-
!click the title! The mid-nineteenth century saw the simultaneous birth of couture, photography, and modern art. For women of the Italia...
-
Daguerreotypes, ambrotypes and early tintypes were usually sold in small folding cases. The cases were designed to keep the fragile surfaces...
Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft
last year
Red light district
"When he died, 89 glass-plate negatives were found in his desk showing prostitutes taken in around 1912 in ‘Storyville‘ the red ...
about me "work and lifestyle"
- CABARET øf SPIRITS
- ~ *~ It all starts as a photographer... the path leads me to specialized in the conservation & application of fine art and historic photographs and restoration of paper ... working in my Boudoir, CABARETøf SPIRITS ~ *~
Archive you missed the past months
Monday, 3 October 2011
bluish-metallic
Silver is a common component of most historical photographic processes. Silver mirroring is a natural deterioration, inherent within silver-containing photographic material. Silver is affected by oxidizing agents and silver ions are produced. Once these ions are produced, they can migrate downward through the gelatin layer, towards the support . Hendriks (1991) found that silver ions can also migrate to the surface, and through reduction process at the surface, transform to silver sulfide.
Silver Mirroring is a result of a physical alteration of the colloidial surface of a photograph caused by aging. Over time, the image bearing colloid layer shrinks and conforms to the underlying structure of the substrate or image particles. These physical alterations cause a change in the optical properties and, therefore, in the appearance of the photograph.
Silver mirroring appears as a bluish-metallic deposit or sheen. It can appear iridescent, which may change in reflective light. If not severe, silver mirroring may not be evident in certain lighting conditions. When very severe, silver mirroring can appear bronze in color. On negatives seen in transmitted light, affected areas appear more dense or yellowed depending on the degree of damage