CABARET of SPIRITS Atelier ... BLOG VERSION

CABARET of SPIRITS Atelier ... BLOG VERSION
...Photographs should be protected from extended exposure to intense light sources. Limit exhibition times, control light exposure, and monitor the condition of the photographs carefully. Prolonged or permanent display of photographs is not recommended. Use unbuffered ragboard mats, and frame photographs with archivally sound materials. Use ultraviolet-filtering plexiglass to help protect the photographs during light exposure. Reproduce vulnerable or unique images and display the duplicate image; in this way, the original photograph can be properly stored and preserved.

Disaster preparedness begins by evaluating the storage location and the potential for damage in the event of a fire, flood, or other emergency. It is important to create a disaster preparedness plan that addresses the specific needs of the collection before a disaster occurs.

The location and manner in which photographs are housed can be the first line of defense. Identify photographic materials that are at higher risk of damage or loss. Remove all potentially damaging materials such as paper clips and poor-quality enclosures. Store negatives and prints in separate locations to increase the possibility of an image surviving a catastrophe. If a disaster occurs, protect the collection from damage by covering it with plastic sheeting and/or removing it from the affected area. If using plastic, make sure not to trap in moisture as this could lead to mold growth. Evaluate the situation and document the damage that has occurred. Contact a conservator as soon as possible for assistance and advice on the recovery and repair of damaged materials.

PS .If your photograph requires special attention or you are unsure about how to protect it, you should contact a conservator.To search for a conservator near you.






Cabaret of Spirits ATELIER

Cabaret of Spirits ATELIER

Treatment Options for Photographic Materials may include

mold removal
surface cleaning
stain reduction (only if possible and safe to do so)
tape and adhesive removal
separation from poor quality mounts
consolidation of cracked or flaking emulsion
mending tears or breaks
conservation of cased photographs and case repair
daguerreotypes
ambrotypes
ferrotypes
electro-cleansing of tarnished daguerreotypes
rehousing options
four-flap enclosures
clamshell boxes
polyester sleeves
encapsulation
conservation framing

PRESERVING & PROTECTING PHOTOGRAPHS

PRESERVING & PROTECTING PHOTOGRAPHS
Hundreds of millions of photographs have been lost over the years to natural disasters, wars, and the age-old urge to clean house. So there is something special about every old photograph that's survived. Someone decided to make it... someone else, to buy it... and a lot of someones decided to keep it over the years. Whether you're the caretaker of a treasured family album or a collector who has searched out the classics of photography, it's important to preserve and protect the images you value. Fortunately, there is new information about what to do and what to avoid. And there are specialized products available to help.

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please send scanned in ; ncabaretofspirits@aol.co.uk

Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

last year

Sheet of thin iron

! click the title! A tintype is easy to identify since it is metal, a thin sheet of black jappaned iron, coated with a collodion wet plat...

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about me "work and lifestyle"

My photo
~ *~ It all starts as a photographer... the path leads me to specialized in the conservation & application of fine art and historic photographs and restoration of paper ... working in my Boudoir, CABARETøf SPIRITS ~ *~

Archive you missed the past months

Thursday, 29 November 2018

the passion for the cheek blush. Victorian Beauty





Tintypes, originally known as or ferrotypes or melainotypes, were invented in the 1850s and continued to be produced into the 20th century.
 The photographic emulsion was applied directly to a thin sheet of iron coated with a dark lacquer or enamel, which produced a unique positive image. Like the ambrotype, tintypes were often hand-colored. Customers purchased cases, frames, or paper envelopes to protect and display their images.
Tintypes and ambrotypes found in cases and frames can be difficult to identify.
 A magnet will be attracted to the iron support, but if a sheet of metal is used behind an ambrotype, one could be fooled into thinking that the image is a tintype.




 A hand-coloured Ambrotype Tintype and Daguerrotype portrait of a woman, taken by an unknown photographer in about 1845. The colour has been rather liberally applied to her cheeks, making her look as if she is blushing.
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An ambrotype is comprised of an underexposed glass negative placed against a dark background.
 The dark backing material creates a positive image. Photographers often applied pigments to the surface of the plate to add color, often tinting cheeks and lips red and adding gold highlights to jewelry, buttons, and belt buckles.
 Ambrotypes were sold in either cases or ornate frames to provide an attractive product and also to protect the negative with a cover glass and brass mat.


Tuesday, 11 September 2018

Tuesday, 5 June 2018