- The History of Photographic Printing in the 19th Century
- The Component Materials of 19th-Century Prints and Their Forms of Deterioration
- Stability of Specific Print Materials
- Identification of 19th-Century Photographic and Photomechanical Print Processes
- Preservation and Collection Management
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DEVELOPMENT OF THE LATENT IMAGE ... On the removal of the plate from the camera no image is visible, it has to be develo...
An early daguerreotype studio, as depicted in a woodcut by George Cruikshank in 1842. This illustration shows the interior of Richard Bear...
photographic print format roughly the size of a French visiting card (6 × 9 cm; 2 1/3 × 3 1/2 in), traditionally imprinted with the n...
The Beginning In the beginning, of course, there was light. And through the ages, people have made images to record that which was illum...
An ambrotype is a weak negative image on glass rendered positive by the addition of a dark background. Frederick Scott Archer, an Engl...
[The Pencil of Nature, Part 5, pl. 20] ... As this is the first example of a negative image that has been introduced into this work, it ...