CABARET of SPIRITS Atelier ... BLOG VERSION

CABARET of SPIRITS Atelier ... BLOG VERSION
...Photographs should be protected from extended exposure to intense light sources. Limit exhibition times, control light exposure, and monitor the condition of the photographs carefully. Prolonged or permanent display of photographs is not recommended. Use unbuffered ragboard mats, and frame photographs with archivally sound materials. Use ultraviolet-filtering plexiglass to help protect the photographs during light exposure. Reproduce vulnerable or unique images and display the duplicate image; in this way, the original photograph can be properly stored and preserved.

Disaster preparedness begins by evaluating the storage location and the potential for damage in the event of a fire, flood, or other emergency. It is important to create a disaster preparedness plan that addresses the specific needs of the collection before a disaster occurs.

The location and manner in which photographs are housed can be the first line of defense. Identify photographic materials that are at higher risk of damage or loss. Remove all potentially damaging materials such as paper clips and poor-quality enclosures. Store negatives and prints in separate locations to increase the possibility of an image surviving a catastrophe. If a disaster occurs, protect the collection from damage by covering it with plastic sheeting and/or removing it from the affected area. If using plastic, make sure not to trap in moisture as this could lead to mold growth. Evaluate the situation and document the damage that has occurred. Contact a conservator as soon as possible for assistance and advice on the recovery and repair of damaged materials.

PS .If your photograph requires special attention or you are unsure about how to protect it, you should contact a conservator.To search for a conservator near you.






Cabaret of Spirits ATELIER

Cabaret of Spirits ATELIER

Treatment Options for Photographic Materials may include

mold removal
surface cleaning
stain reduction (only if possible and safe to do so)
tape and adhesive removal
separation from poor quality mounts
consolidation of cracked or flaking emulsion
mending tears or breaks
conservation of cased photographs and case repair
daguerreotypes
ambrotypes
ferrotypes
electro-cleansing of tarnished daguerreotypes
rehousing options
four-flap enclosures
clamshell boxes
polyester sleeves
encapsulation
conservation framing

PRESERVING & PROTECTING PHOTOGRAPHS

PRESERVING & PROTECTING PHOTOGRAPHS
Hundreds of millions of photographs have been lost over the years to natural disasters, wars, and the age-old urge to clean house. So there is something special about every old photograph that's survived. Someone decided to make it... someone else, to buy it... and a lot of someones decided to keep it over the years. Whether you're the caretaker of a treasured family album or a collector who has searched out the classics of photography, it's important to preserve and protect the images you value. Fortunately, there is new information about what to do and what to avoid. And there are specialized products available to help.

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Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

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Red light district

"When he died, 89 glass-plate negatives were found in his desk showing prostitutes taken in around 1912 in ‘Storyville‘ the red ...

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~ *~ It all starts as a photographer... the path leads me to specialized in the conservation & application of fine art and historic photographs and restoration of paper ... working in my Boudoir, CABARETøf SPIRITS ~ *~

Archive you missed the past months


Wednesday, 21 October 2015

sea breeZe ... and lesson on the rocks.






Abrasion due to storage with other items causes pieces of the emulsion (image) to flake off. 
Humidity in the air then leads to rust where the iron plate is exposed. As the tintype ages, more rust appears and the flaking will continue, eventually destroying the picture.
The collodion surface of tintypes often shows fine crazing or cracking, which distinguishes them from Ambrotypes. May show traces of rust, the result of bends and deep scratche

Variation on the Ambrotype process, but produced on iron sheet (not tin) instead of glassPlate coated with collodion and sensitized just before use;
Became instantly popular, particularly in the United States; also widely used by street photographers in Great Britain.

Cheap to produce, a typical price for a tintype was 6d -1 shilling

More robust than ambrotypes it could be carried about, sent in the post, or mounted in an album.
The material could easily be cut up and therefore fitted into lockets, brooches, etc.
The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. 
Some tintypes are very dark overall while other specimens have surprisingly good contrast with an almost white background...

50X





Royal Pavilion


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