CABARET of SPIRITS Atelier ... BLOG VERSION

CABARET of SPIRITS Atelier ... BLOG VERSION
...Photographs should be protected from extended exposure to intense light sources. Limit exhibition times, control light exposure, and monitor the condition of the photographs carefully. Prolonged or permanent display of photographs is not recommended. Use unbuffered ragboard mats, and frame photographs with archivally sound materials. Use ultraviolet-filtering plexiglass to help protect the photographs during light exposure. Reproduce vulnerable or unique images and display the duplicate image; in this way, the original photograph can be properly stored and preserved.

Disaster preparedness begins by evaluating the storage location and the potential for damage in the event of a fire, flood, or other emergency. It is important to create a disaster preparedness plan that addresses the specific needs of the collection before a disaster occurs.

The location and manner in which photographs are housed can be the first line of defense. Identify photographic materials that are at higher risk of damage or loss. Remove all potentially damaging materials such as paper clips and poor-quality enclosures. Store negatives and prints in separate locations to increase the possibility of an image surviving a catastrophe. If a disaster occurs, protect the collection from damage by covering it with plastic sheeting and/or removing it from the affected area. If using plastic, make sure not to trap in moisture as this could lead to mold growth. Evaluate the situation and document the damage that has occurred. Contact a conservator as soon as possible for assistance and advice on the recovery and repair of damaged materials.

PS .If your photograph requires special attention or you are unsure about how to protect it, you should contact a conservator.To search for a conservator near you.






Cabaret of Spirits ATELIER

Cabaret of Spirits ATELIER

Treatment Options for Photographic Materials may include

mold removal
surface cleaning
stain reduction (only if possible and safe to do so)
tape and adhesive removal
separation from poor quality mounts
consolidation of cracked or flaking emulsion
mending tears or breaks
conservation of cased photographs and case repair
daguerreotypes
ambrotypes
ferrotypes
electro-cleansing of tarnished daguerreotypes
rehousing options
four-flap enclosures
clamshell boxes
polyester sleeves
encapsulation
conservation framing

PRESERVING & PROTECTING PHOTOGRAPHS

PRESERVING & PROTECTING PHOTOGRAPHS
Hundreds of millions of photographs have been lost over the years to natural disasters, wars, and the age-old urge to clean house. So there is something special about every old photograph that's survived. Someone decided to make it... someone else, to buy it... and a lot of someones decided to keep it over the years. Whether you're the caretaker of a treasured family album or a collector who has searched out the classics of photography, it's important to preserve and protect the images you value. Fortunately, there is new information about what to do and what to avoid. And there are specialized products available to help.

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Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft

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Archive you missed the past months


Wednesday 8 October 2014

Nineteenth Century Iran

 Qajar Era


The Qajar dynasty
 Persian: دودمان قاجارDoodmān e Qājār; also romanised as Ghajar, Kadjar, Qachar etc.; Azerbaijani: Qacar) was a Persianize native Iranian royal family of Turkic origin,which ruled Persia (Iran) from 1785 to 1925. The Qajar family took full control of Iran in 1794, deposing Lotf 'Ali Khan, the last of the Zand dynasty, and re-asserted Persian sovereignty over large parts of the Caucasus and Central Asia. In 1796, Mohammad Khan Qajar seized Mashhad with ease, which was under Durrani suzerainty,putting an end to the Afsharid dynasty, and Mohammad Khan was formally crowned as shah after his sacking of Tblisi.In the North Caucasus, South Caucasus, and Central Asia the Qajar dynasty eventually permanently lost many of its controlled areas to the Russians in the course of the 19th century.



Dervishes were a common subject for foreign photographers of the late Qajar period. 
These photographs helped to create and fed the stereotypes of exotic Easterners, but nevertheless they are useful historical records of the period.


Antoin Sevruguin

Photographs of Iranian dervishes by Antoin Sevruguin are mostly taken around 1900 to 1905.
























Dmitri Ivanovich Yermakov

Photographs of the Russian photographer, Dmitri Ivanovich Yermakov, are mostly taken during the early 1870s during his trip to Iran.





IZMIR ' de DERVISLER 1903 

DERVISLER URFA 1905

Antoin Sevruguin