"most viewed this week on the years"
Daguerreotypes, ambrotypes and early tintypes were usually sold in small folding cases. The cases were designed to keep the fragile surfa...
Albumen print specifically have always held a soft spot in my heart for their ability to exude romantic warmth. This quality, in part, ca...
the Tapada phenomenon symbolised women's freedom and indipendence for three centuries 1560-1850 the cyclope eye allowed women t...
photo Felice Beato Until the mid-20th century, the majority of photography was monochrome (black and white), as was first exemplified b...
Qajar Era The Qajar dynasty Persian : دودمان قاجار Doodmān e Qājār ; also romanised as Ghajar , Kadjar , Qachar etc.; Azer...
about me "work and lifestyle"
Tuesday, 10 January 2012
Mad Tea Party
LEWIS CARROLL, PEN–NAME OF CHARLES LUTWIDGE DODGSON
Carroll referred to photography as devotion, entertainment, fascination, practice, chief interest, and his "one amusement." His long career as a photographer (1856-1880) coincides with the "Golden Era" of nineteenth-century photography, which centered on the wet collodion negative process and the corresponding positive albumen print process.
These processes were complex and required considerable technical expertise, practice, patience and experience to master. The photographer was required to set up his camera and tripod and pose his subject. The next step involved coating and sensitizing a plate of glass in the darkroom (or, if in the field, in a portable darkroom tent), transporting the "wet plate" to the camera, and almost immediately making an exposure upon it. Finally, the plate was returned to the darkroom for rapid developing and fixing before it could dry.
Carroll favored the albumen print almost exclusively, like most photographers of his day. Utilizing a binding solution of processed egg whites to hold light-sensitive silver salts onto the coated surface of a thin sheet of paper, the albumen process allowed the wet collodion negatives, once they had been fixed and dried, to be placed in contact with the sensitized paper surface and printed. The resulting prints typically had a lustrous surface and a broad tonal range. Carroll’s surviving glass negatives and paper prints within the Ransom Center collections display a mastery of the technique which only a devoted practitioner could accomplish. They were the product of his own special looking-glass: the camera.
ALICE LIDDELL or Alice in Wonderland "muse"
Born 4 May 1852 Westminster London
died 16 November 1934 Kent UK
The first, taken in 1859 by Lewis Carroll (Charles Dodgson) shows 7 year-old Alice posed as a beggar girl.
The last, taken by the famous Victorian photographer Julia Margaret Cameron, (11 June 1815 – 26 January 1879) was a British photographer shows Alice as a young woman–posed as the mirror image of Carroll’s beggar girl.