"most viewed this week on the years"
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photo Felice Beato Until the mid-20th century, the majority of photography was monochrome (black and white), as was first exemplified ...
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An ambrotype is a weak negative image on glass rendered positive by the addition of a dark background. Frederick Scott Archer, an Engl...
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Silver is a common component of most historical photographic processes. Silver mirroring is a natural deterioration, inherent within silver-...
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!click the title! The mid-nineteenth century saw the simultaneous birth of couture, photography, and modern art. For women of the Italia...
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Daguerreotypes, ambrotypes and early tintypes were usually sold in small folding cases. The cases were designed to keep the fragile surfaces...
Me: I am modern day alchimist practicing photographic process of the 19th Century and the handcraft
last year
Red light district
"When he died, 89 glass-plate negatives were found in his desk showing prostitutes taken in around 1912 in ‘Storyville‘ the red ...
about me "work and lifestyle"
- CABARET øf SPIRITS
- ~ *~ It all starts as a photographer... the path leads me to specialized in the conservation & application of fine art and historic photographs and restoration of paper ... working in my Boudoir, CABARETøf SPIRITS ~ *~
Archive you missed the past months
Tuesday, 6 September 2011
handle with care
[ ... ] A photograph can be one of many processes in which light-sensitive media are employed to create a visible image.
The prevalence of photographs allows us to forget that they are potentially fragile objects that can be easily damaged by careless handling, improper storage, and exposure to environmental influences such as light, humidity, and temperature.
In caring for a photographic collection, it is important to know that various components comprise the structure of a photograph. The interaction of these components, with each other and with their environment, has a lasting effect on the longevity of the image. Most photographs consist of a final image material, a binder layer, and a primary support. The final image material—commonly silver, platinum, organic dyes, or pigments—creates the image we see. The binder layer is a transparent substance such as albumen, collodion, or gelatin in which the final image layer is suspended.
The binder and final image material are applied to a primary support, usually paper, glass, metal, or plastic. Although many photographs have this three-part structure, individual images may have additional components. For instance, color, coatings, original frames, and cases need to be considered as part of the photographic object.